This production of
Hamlet, directed by Sir John Gielgud and starring Richard Burton, was recorded in the Lunt-Fontanne Theatre in New York City during a spectacular season for Broadway. It was the year of Carol Channing's
Hello Dolly, Barbra Streisand's
Funny Girl, and Neil Simon's
Barefoot in the Park. Noel Coward, Arthur Miller and Alec Guinness were also on the Great White Way that year. But the show that created the most excitement was Richard Burton's
Hamlet. Given the importance of the show, a film was made of a single performance. At Burton's insistence, after screening the film for just two days, all copies were destroyed except for one that went to the British Film Institute and one that went to Burton's home. 25 years after the stage production, Burton's widow allowed this audio recording to be made from her copy. This performance differs from other recordings of Hamlet, not only because of Burton and Gielgud, but because it is a live recording of an actual performance on Broadway, not in a recording studio.
"You get the immediacy of a live production of Hamlet on Broadway in the nervousness of the actors, knowing that they can't go back on it, that this is for all time, unlike films, where you can if you make a mistake go back and do it again. The particular intensity and nerves of this is probably the same kind of thing that excites a real audience in a real theatre." - Richard Burton
For more informative lectures about this work, don't miss A Study Guide to Hamlet.
Or, listen to a conversation with Professor Harold Bloom.
"Time and again he takes a speech or an action we had thought fixed forever in unshakeable conception and daringly hurls it into new life. He is humorous when we expect solemnity and withdrawn when we anticipate aggression...." (
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Performance of the Century
- Greg Twiss