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Early Warning
- A Novel
- Gesprochen von: Lorelei King
- Spieldauer: 18 Std. und 12 Min.
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Inhaltsangabe
From the Pulitzer Prize-winner: the second installment, following Some Luck, of her widely acclaimed, best-selling American trilogy, which brings the journey of a remarkable family with roots in the Iowa heartland into mid-century America
Early Warning opens in 1953 with the Langdon family at a crossroads. Their stalwart patriarch, Walter, who with his wife, Rosanna, sustained their farm for three decades, has suddenly died, leaving their five children, now adults, looking to the future. Only one will remain in Iowa to work the land, while the others scatter to Washington, D.C., California, and everywhere in between.
As the country moves out of post–World War II optimism through the darker landscape of the Cold War and the social and sexual revolutions of the 1960s and ’70s, and then into the unprecedented wealth—for some—of the early 1980s, the Langdon children each follow a different path in a rapidly changing world. And they now have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam—leaving behind a secret legacy that will send shock waves through the Langdon family into the next generation.
Capturing a transformative period through richly drawn characters we come to know and care deeply for, Early Warning continues Smiley’s extraordinary epic trilogy, a gorgeously told saga that began with Some Luck and will span a century in America. But it also stands entirely on its own as an engrossing story of the challenges—and rewards—of family and home, even in the most turbulent of times, all while showcasing a beloved writer at the height of her considerable powers.
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Kritikerstimmen
“In Early Warning, the five grown Langdon children take center stage, and [the book] concludes in 1986, with a second generation heading offstage to make room for their children. They take with them the rise and fall of disco, the beginnings of AIDS, the terror of nuclear war. There is a grandeur to this—the novel engrosses us. We fall for the Langdons as the pages turn, their lives passing with terrible speed as the new generation waits impatiently for their turn in the sun. Take consolation in Golden Age, the trilogy’s final installment, arriving in October (Smiley is certain to have a field day with Presidents Bush). And don’t forget the solace of rereading. Novels may take liberties with lives, speeding them along, but characters, unlike their creators, are immortal.” —Diane Leach, PopMatters
“Triumphant. Richly engrossing . . . Smiley propels the Langdons—and her readers—into American life. Here are the big historic events [from 1953 to 1986]—from the Cold War to Vietnam; JFK’s presidency and assassination to the Jonestown mass suicides; Watergate to the Iran hostage crisis; the AIDS epidemic to the sexual revolution—that defined those times. [But] while history shapes Early Warning, it is the personal dramas that command attention. Charismatic, amoral Frank, who seems to make money at whatever he turns to, is still at the center . . . Smiley’s saga mines the inner lives of its characters. Early Warning is a masterful novel that sets the universal questions about love, family, home and identity against the background of a turbulent century. If there is a flaw, it is only that readers will have to wait for The Golden Age, the final volume of Smiley’s brilliantly conceived epic trilogy.” —Amy Goodfellow Wagner, examiner.com (five stars)
“Smiley’s most significant work . . . Early Warning’s scope is broad without ever veering off course. It’s about the adult Langdon children and the people they’re becoming, who they’ve created, the lives they’ve lived and built, along with all the political, natural, social, economical, ecological, fashionable, and cultural happenings that swirl around them on and off the farm. If anyone thought the prolific Smiley peaked with A Thousand Acres, they’d be wrong . . . Absorbing.” —Wendy Ward, Baltimore City Paper
