The magnum opus and latest work from Svetlana Alexievich, the 2015 winner of the Nobel Prize in Literature - a symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia.
When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing "a new kind of literary genre", describing her work as "a history of emotions - a history of the soul". Alexievich's distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation.
In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past 30 years, showing us what life was like during the fall of the Soviet Union and what it's like to live in the new Russia left in its wake. Through interviews spanning from 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres - but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world.
A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. "Through the voices of those who confided in her," The Nation writes, "Alexievich tells us about human nature, about our dreams, our choices, about good and evil - in a word, about ourselves."
"For her polyphonic writings, a monument to suffering and courage in our time." (Nobel Prize Committee)
"For the past 30 or 40 years, [Alexievich has] been busy mapping the Soviet and post-Soviet individual, but [her work is] not really about a history of events. It's a history of emotions...a history of the soul." (Sara Danius, permanent secretary of the Swedish Academy)
" Secondhand Time [is Alexievich's] longest and most ambitious project to date: an effort to use an oral history of the nineties to understand Soviet and post-Soviet identity." ( The New Yorker)
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