Inhaltsangabe

This production of Hamlet, directed by Sir John Gielgud and starring Richard Burton, was recorded in the Lunt-Fontanne Theatre in New York City during a spectacular season for Broadway. It was the year of Carol Channing's Hello Dolly, Barbra Streisand's Funny Girl, and Neil Simon's Barefoot in the Park. Noel Coward, Arthur Miller and Alec Guinness were also on the Great White Way that year. But the show that created the most excitement was Richard Burton's Hamlet. Given the importance of the show, a film was made of a single performance. At Burton's insistence, after screening the film for just two days, all copies were destroyed except for one that went to the British Film Institute and one that went to Burton's home. 25 years after the stage production, Burton's widow allowed this audio recording to be made from her copy. This performance differs from other recordings of Hamlet, not only because of Burton and Gielgud, but because it is a live recording of an actual performance on Broadway, not in a recording studio.

"You get the immediacy of a live production of Hamlet on Broadway in the nervousness of the actors, knowing that they can't go back on it, that this is for all time, unlike films, where you can if you make a mistake go back and do it again. The particular intensity and nerves of this is probably the same kind of thing that excites a real audience in a real theatre." - Richard Burton

For more informative lectures about this work, don't miss A Study Guide to Hamlet.

Or, listen to a conversation with Professor Harold Bloom.
Listen to Professor Harold Bloom's conversation on Hamlet as Everyman.
(P)1995 Onward Production Ltd. and Paul Brownstein Productions, Inc.
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Kritikerstimmen

"Time and again he takes a speech or an action we had thought fixed forever in unshakeable conception and daringly hurls it into new life. He is humorous when we expect solemnity and withdrawn when we anticipate aggression...." ( Newsweek)
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Hilfreichste
5 out of 5 stars
Von Greg Twiss Am hilfreichsten 14.06.2005

Performance of the Century

In the early 60's, Richard Burton was perhaps the most celebrated actor alive. This production by John Gielgud can only cement this perception. At the time, there were aspects of Burton's performance that seemed irreverant. His reading often elicits surprise, weaving as it does between high drama and scurrilous humour. In retrospect, the classic nature of his interpretation is striking. With sheer vocal power and poise, Burton piles layer upon layer of meaning onto Shakepeare's tragic figure.
Burton definitely steals the shown, but Gielgud's careful and thoughtful direction ensures that the production remains an ensemble performance.
Gielgud does not succumb to some of the ambiguities that more modern interpretations have shown. There is no hint here of an incestuous relationship with Gertrude or of madness brought on by Ophelia. Gielgud's Hamlet is the very epitome of reasoned sanity. He is driven by a sense of loss, disillusionment, mistrust, and a desire for certitude.
Like an arrow moving swiftly and surely towards its target, Gielgud's interpretation goes right to heart of the tragedy as it unfolds before our eyes (or ears in this case). It is the mixture of this and Burton's extraordinary reading that perhaps makes this interpretation into the performance of the century.
Highly recommended and, for lovers or students of Shakespeare, an absolute must.

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