Ergebnis gesprochen von "Kevin R. Free" in Alle Kategorien

You know that feeling when you’re at work and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot. Come for the pew-pew space battles, stay for the most relatable AI you’ll listen to this century.

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

Sci-fi's favorite antisocial AI is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a humanlike android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah - its former owner (protector? friend?) - submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who's going to believe a SecUnit gone rogue? And what will become of it when it's caught?

It has a dark past - one in which a number of humans were killed. A past that caused it to christen itself "Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?). Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

In 1985, Anthony Ray Hinton was arrested and charged with two counts of capital murder in Alabama. Stunned, confused, and only 29 years old, Hinton knew that it was a case of mistaken identity and believed that the truth would prove his innocence and ultimately set him free. But with an incompetent defense attorney and a different system of justice for a poor black man in the South, Hinton was sentenced to death by electrocution. He spent his first three years on Death Row at Holman State Prison in despairing silence.

Prince Tal has long awaited his coming-of-age tour. After spending most of his life cloistered behind palace walls as he learns to keep his forbidden magic secret, he can finally see his family’s kingdom for the first time. His first taste of adventure comes just two days into the journey, when their crew discovers a mysterious prisoner on a burning derelict vessel. Tasked with watching over the prisoner, Tal is surprised to feel an intense connection with the roguish Athlen. 

Modern knowledge workers communicate constantly. Their days are defined by a relentless barrage of incoming messages and back-and-forth digital conversations - a state of constant, anxious chatter in which nobody can disconnect, and so nobody has the cognitive bandwidth to perform substantive work. There was a time when tools like email felt cutting edge, but a thorough review of current evidence reveals that the "hyperactive hive mind" workflow they helped create has become a productivity disaster, reducing profitability and perhaps even slowing overall economic growth.

Thanks to an elderly spinster sleuth and her ingenious cat, Christopher Holmes has enjoyed a celebrated career as a bestselling mystery writer. Until now. Sales are down and his new editor is allergic to geriatric gumshoes. On the advice of his agent, he reinvents his fortyish, frumpy, recently dumped self into the sleek, sexy image of a literary lion, and heads for a Northern California writers conference to try and resurrect his career.

After more than three decades as the essential guide to borderline personality disorder (BPD), the third edition of I Hate You - Don’t Leave Me now reflects the most up-to-date research that has opened doors to the neurobiological, genetic, and developmental roots of the disorder, as well as connections between BPD and substance abuse, sexual abuse, post-traumatic stress syndrome, ADHD, and eating disorders.

April May and the Carls are back in the much-anticipated sequel to Hank Green's number-one New York Times best-selling debut novel, An Absolutely Remarkable Thing. The Carls disappeared the same way they appeared, in an instant. While they were on Earth, they caused confusion and destruction without ever lifting a finger. Months later, the world is as confused as ever. Andy has picked up April’s mantle of fame; Maya, ravaged by grief, begins to follow a string of mysteries that she is convinced will lead her to April; and Miranda infiltrates a scientific operation.

Seventeen-year-old Ellery is a non-believer in a region where people swear the supernatural is real. Sure, they’ve been stuck in a five-year winter, but there’s got to be a scientific explanation. If goddesses were real, they wouldn’t abandon their charges like this, leaving farmers like Ellery’s family to scrape by. Knox is a familiar from the Other World, a magical assistant sent to help humans who have made crossroads bargains. But it’s been years since he heard from his queen, and Knox is getting nervous about what he might find once he returns home.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly colonized planet in peril, as well as additional SecUnits. But if there's an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can't have the planet, they're sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there's something wrong with Murderbot; it isn't running within normal operational parameters.

Arek hadn’t thought much about what would happen after he completed the prophecy that said he was destined to save the Kingdom of Ere from its evil ruler. So now that he’s finally managed to (somewhat clumsily) behead the evil king (turns out magical swords yanked from bogs don’t come pre-sharpened), he and his rag-tag group of quest companions are at a bit of a loss for what to do next. As a temporary safeguard, Arek’s best friend and mage, Matt, convinces him to assume the throne until the true heir can be rescued from her tower. Except that she’s dead. 

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

A murderous fall down icy stairs is nearly the death of Anna Hitchcock, the much-beloved "American Agatha Christie" and Christopher Holmes' former mentor. Anna's plea for him to host her annual winter writing retreat touches all Kit's sore spots - traveling, teaching writing classes, and separation from his new lover, J.X. Moriarity. For J.X., Kit's cancellation of yet another romantic weekend is the death knell of a relationship that has been limping along for months. But that's just as well, right?

Wade Westmore is used to being in the spotlight. So when he’s passed over for the lead in the spring musical, it comes as a major blow—especially when the role goes to his ex-boyfriend, Reese, who dumped him for being too self-involved. Shy sophomore Elijah Brady is used to being overlooked. Forget not knowing his name—most of his classmates don’t even know he exists. So when he joins the stage crew for the musical, he seems destined to blend into the scenery. When the two have a disastrous backstage run-in, Elijah proposes an arrangement that could solve both boys’ problems.

Edison Rooker isn’t sure what to expect when he enters the office of Antonia Hex, the powerful sorceress who runs a call center for magical emergencies. He doesn’t have much experience with hexes or curses. Heck, he doesn’t even have magic. But he does have a plan—to regain the access to the magical world he lost when his grandmother passed. Antonia is…intimidating, but she gives him a job and a new name—Rook—both of which he’s happy to accept. Now all Rook has to do is keep his Spell Binder, an illegal magical detection device, hidden from the Magical Consortium.

Life isn’t easy for a gay teenager living in the nineties. Ben thought coming out was his best chance of finding love. Instead he ended up lonelier than before. After a not-so-accidental collision with Tim, an attractive athlete and artist, Ben is convinced that he’s met his soulmate. Their budding romance is soon tested by spreading rumors, the danger increasing along with their passion for each other until it pushes them to the breaking point.